OWS edition: Following on from Nation and Black Planet, it seems that Apocalypse 91, The Enemy Strikes Back is largely underrated and it never really got its due (duets with Anthrax not standing). I mean it's pretty hard to follow two classic albums without unfair scrutiny. However, there is a lot to love on that album and my fave track has long been Shut 'em down (close second Get the fuck outta Dodge), a long form rap about exploitation of the black community. The lines that seemed most pertinent to me regardless of race have always been:
I like Nike but wait a minute The neighborhood supports so put some money in it Corporations owe they gotta give up the dough To the town or else we gotta shut 'em down
The notion that businesses have community responsibility rings louder and louder every day...
I was recently having a conversation with a friend of mine who was complaining about the reissue of Fear of a Black Planet on vinyl. His exact words were “I can’t believe they released it as a single record again.” He’s right. A vinyl record fits about 20 minutes per side but any album longer than that requires the music to be compressed making it sound tinny and pinched. Black Planet, at just over an hour, has never really been that enjoyable to listen to on LP. Other notabvle offenders from the 80's was the original pressing of The Joshua Tree which was fifty minutes long.
When I was a kid, tapes and records had about eight songs on them and I didn’t think about it twice. The recent release of Radiohead’s King of Limbs was met with the derision because it was too short (instead of it being lame) but in 1987, I wouldn’t have batted an eyelid at a thirty-three minute record (coincidentally, Sleigh Bells debut album clocks in at thirty-two minutes and I don’t feel bad about that at all). I always think of that Bob Mould self titled record (1995) where the final minute and a half of the record is the sound of a needle bumping until someone takes it off. That additional time takes the record to thirty-nine minutes which is the ideal time for a vinyl record (I’ve never found that record on vinyl so if someone can hook me up, much appreciated). I guess Bob was making a statement about cds and vinyl or maybe he just thought it sounded cool.
I guess my questions is this: have we been conditioned to expect too much music and have artists been robbed of making a concise statement? This was brought home to me when I read an interview with Kate Bush on Pitchfork where she says:
Pitchfork: The Red Shoes came out in 1993, the heyday of the compact disc. Were you recording specifically for that format?
KB: Yeah, that's absolutely right. It probably was my first album that was specifically a CD as opposed to vinyl. Red Shoes was a bit long-- which was also a part of this whole problem with the change from vinyl to CD. I think that put a lot of strain on artists, actually. With CDs, you suddenly didn't want to let people down so you tried to give them as much as possible for their money. [laughs]
When you love an album it’s natural to desire more and more music but I’m not sure that necessarily makes it better. You see it with a number of re-issues that feature songs from the recording sessions that were originally left off the record. Most of the time, those bonus tracks at the end of the album add nothing and are just annoying because the natural conclusion to the album is ruined.
So what’s better, an album featuring lot’s of music but having poorer quality control or an album that is short but near perfect (although I am yet to find a perfect album)? I know a lot of albums that could be tightened up but is that to their detriment as well? With digital, the length of an album is limitless really but is more music a good thing? I don’t know the answers but I wish when they re-released vinyl records they would make them doubles if it goes over 45 minutes… Just sayin'...
